BROOKLYN, N.Y. - s4story -- Spatial Jazz in 3-D Space

Painting in Sound, Hayes Greenfield's new Sunnyside Records release expands the perception of what jazz—and binaural, spatial, immersive music—can be. An acclaimed jazz musician, composer, and electroacoustic artist, Greenfield draws from decades of traditional and improvisational mastery and sonic exploration to create a recording that is resonant and substantial.

Captured with Max/MSP and SPAT spatial and binaural software, the album places listeners inside a fully 3-D sound field. Greenfield treats space as an equal voice, shaping air, distance, proximity, and motion with the same care he brings to melody, harmony, and rhythm. Using spatial placement and movement through the immersive field, lines arc and spiral, instruments and textures shimmer, orbit, recede, and tones approach, and dissolve.

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Rooted in jazz's spontaneity and reaching beyond traditional form, the record is an expansive statement from an artist pushing jazz into new perceptual dimensions.

Hayes Greenfield – Alto & Soprano Saxophones, C and Alto Flutes, Bass and Alto Clarinets, Kalimba, Harmonica, Voice, Effect Pedals, and Loopers

Greenfield is an endorsed Artist with Yamaha, Vandoren, Eventide, and K&K Sound

Tracks:
1. Micasso and Patisse, 2. The Murals of Federal One, 3. A Beauty, and the Shimmering Sun, 4. Into the Grid, 5. At the Edges of Ambiguity, 6. My Muse (My Eileen), 7. Finally Free of the Black Lines, 8. Dots, Lines and a Pinch of Bird, 9. The Wanderer, 10. Film Noir, 11. A Sketch Book, 12. The Art Historian, 13. Painting in Sound

For more info https://www.hayesgreenfield.com/